PuSh in Development Supported by CDm2 Lightworks
The PuSh in Development Program supported by CDm2 Lightworks, champions the development of new artistic projects, from mid-career and established artists creating work for touring markets both within Canada and internationally. PuSh has regularly supported the creation of work through residency programs and small co-production investments, and we are delighted for the opportunity to bring this program to life with CDm2’s support. Besides presenting works in which it has invested, PuSh also leverages its international relationships to launch experiences onto the world stage.
About CDm2 LIGHTWORKS:
CDm2 LIGHTWORKS is a representative agent, integrator, and dealer for manufacturers of world-class lighting products, specialty systems, and control solutions. We are a leader in delivering innovative, fully integrated, cost-effective, and sustainable lighting solutions to our specification, construction, and end-user customers located in British Columbia Canada, and their projects whether local or global. Learn more at cdm2lightworks.com.
Current works in development include:
Choreographers Naishi Wang and Jean Abreu come together in a new international collaboration exploring UK/Canada and Brazil/China cultural references related to poetry and vocal traditions of folk music. This cultural exchange will create a powerful physical journey and performance that demonstrates how the body can be used as an extraordinary tool of linguistic expression. This duet will investigate cultural links, post-colonial histories, the embodiment of the migrant experience, and the transforming nature of human identity.
I seek to utilize the body as a tool to ask profound direct questions about the continual transforming nature of human identity.”Jean Abreu
“Movement possesses a bodily linguistic identity, which also deciphered in terms of cultural influences: gestures of our ways of talking, our ways of walking, our ways of dancing, our ways of singing, and our ways of relating to the world around us.”Naishi Wang
Theatre Replacement has kept a small studio space in Vancouver’s Russian Hall since 2011. Some years ago, in a neighbouring closet, we came across close to 20 hours of 16mm films sent from the USSR between the 1950’s and 80s. These slowly decomposing artifacts, many of them fragments, cover everything from heavy industry to demonstrations of folk dances. Drawing on this discovery as both a conceptual and aesthetic spark, Do you mind if I sit here? brings together an ensemble of artists to develop an immersive performance that combines speculative fiction, a shared meal and asks what does it mean to finally let go?
We begin this process at a moment of significant global uncertainty and, hopefully, equally unbound imagination. After two years of development, Do you mind if I sit here? will offer audiences a place and a moment wherein we might collectively imagine a future we could have never guessed would exist.
The development of Do you mind if I sit here? is generously supported by the National Arts Centre’s National Creation Fund.
The Café is an invitation to be a voyeur by permission; to eavesdrop on private conversations in public; to witness intimate relationships up close and personal. Seven scenes are being created by nine playwrights of various ethnicities, ages, beliefs, sexual orientations and gender identities. With content performed in various languages, The Café is a day-in-the-life exploration of the cultural mosaic of a Vancouver coffee shop.
Intimately sized audiences of 40 people per performance are encouraged to sit at or near one of seven “performance tables” and watch a play unfold mere inches away from them. The Café seeks to blur the line between art and reality by decreasing the proximity between actors and audience, welcoming them to be voyeurs by permission in an immersive setting. Audience members are free to stay with one table and watch a scene reach its conclusion or wander around the coffee shop and experience other scenes – a kind of narrative choose-your-own-adventure.
ITSAZOO Productions acknowledges the support of the Province of British Columbia