January 01, 2021
Hey. It’s hard to know where to start. We agreed to join the PuSh team as Rally curators after the organizational changes that happened internally in the spring and early summer of last year. Those […]
Read MoreJanuary 08, 2019
Framed as a “powerful, secular, present-day ritual,” Attractor is inspired by the Javanese tradition of entering trance through dance and music. Works that ignite meaningful experiences and important discussions about the world around us is what inspires […]
Read MoreJanuary 07, 2019
In the Inuktitut language, when a knife is dull, it is said to “have no face”. The word “Kiinalik” translates to mean the knife is sharp – or, “it has a face”.
Read MoreDecember 07, 2018
People often describe an encounter as uncanny when it feels familiar yet is unrecognizable. The term for this phenomenon is a rough translation of the German words for homely and unhomely. Uncanny poignantly describes Guatemalan-Canadian […]
Read MoreDecember 04, 2018
You know when you walk into a darkened room? It takes a moment for your eyes to adjust, but then you’re able to see all the details. Muted is the aural equivalent of that. Everything […]
Read MoreDecember 04, 2018
I started Why Not Theatre in Toronto after 10 years of living abroad. I built the company on 3 core values: innovation, community, and collaboration. Over the past 11 years Why Not Theatre has evolved into […]
Read MoreDecember 04, 2018
For a collaborative company like MACHiNENOiSY inspiration is something one arrives at through shared play and struggle. With Fragile Forms inspiration came very differently. At the end of 2015, after producing 7 shows in one […]
Read MoreDecember 04, 2018
I went to Selina Thompson’s Race Cards on a surreal day. I had the opportunity to fly to Austin, Texas to meet my colleague, PuSh Interim Artistic Director Joyce Rosario at Fusebox Festival. A contemporary […]
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