November 24, 2019
“What do you believe in?” Ten years ago, four artists in their late 20s travelled across Canada asking that question. Their 100 respondents ranged in age from one to 100, and the answers became part […]
Read MoreNovember 24, 2019
“Extraordinary, and emotionally wrenching.” —The New York Times In today’s Syria, oppression and violence are so far-reaching that even burial and mourning have become subversive acts. In this immersive sound installation, artist Tania El Khoury […]
Read MoreNovember 24, 2019
“[A] full-frontal statement and demonstration of honesty, vulnerability and power.” —Time Out Uncouth, uncensored and… undressed? Ursula Martinez gets personal, political and philosophical in this soul-baring solo performance. Call it a monologue with a meta […]
Read MoreNovember 24, 2019
“Wonderful… Thought-provoking… I’m going to tell everyone I know to go and see it.” —Mooney on Theatre A deep dive into the politics of language and the dynamics of privilege, Footnote Number 12 turns the […]
Read MoreNovember 24, 2019
Audience members who especially love the song/story format of The DJ Who Gave Too Much Information are invited to the Bring Your Own Record/Listening Party the following day; it’s a chance to get in on […]
Read MoreNovember 24, 2019
PRESENTED WITH ELECTRIC COMPANY THEATRE “A marvelous machine of creativity” —The Globe and Mail From North to South, a family reverses the refugee’s path in this darkly humorous vision of exile. The action is set […]
Read MoreNovember 22, 2019
“[T]he creator manages to bring the past to life, to question the present, and even to formulate some hopes for the future.” —Le Devoir After 20 years with PME-ART, co-artistic director Jacob Wren felt he […]
Read MoreOctober 30, 2019
This powerhouse multimedia performance unites post-rock masters Fly Pan Am with choreographer Dana Gingras and her Animals of Distinction dance company. If you saw the Gingras co-creation monumental at PuSh 2016, you surely remember its […]
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