PuSh Blog

Curatorial Statements

Defying Gender, Race, and Ability in Prince Hamlet – A curatorial statement by Ravi Jain

December 04, 2018

I started Why Not Theatre in Toronto after 10 years of living abroad. I built the company on 3 core values: innovation, community, and collaboration. Over the past 11 years Why Not Theatre has evolved into […]

Read More

A Place of Listening and Responsiveness in Fragile Forms – A curatorial statement by Delia Brett

December 04, 2018

For a collaborative company like MACHiNENOiSY inspiration is something one arrives at through shared play and struggle. With Fragile Forms inspiration came very differently. At the end of 2015, after producing 7 shows in one […]

Read More

The Intellect and Resilience of Race Cards – A curatorial statement by Hannah Bellamy

December 04, 2018

I went to Selina Thompson’s Race Cards on a surreal day. I had the opportunity to fly to Austin, Texas to meet my colleague, PuSh Interim Artistic Director Joyce Rosario at Fusebox Festival. A contemporary […]

Read More

Celebrating 10 Years of Club PuSh – A curatorial statement by Cameron Mackenzie

December 03, 2018

Club PuSh 2019—here we are in a very different world than when we started the Club in 2009. 2009: Obama is sworn in as POTUS, Iceland appoints the worlds first lesbian Prime Minister, and BC […]

Read More

A city on the brink: Dublin Oldschool—A curatorial statement by Cian O’Brien

January 26, 2018

Dublin Oldschool

I first experienced the world of Dublin Oldschool in a 10-minute except at Dublin Fringe Festival 2014—I knew immediately that this was a special show. The energy crackled, fizzed and jumped off the stage. The show […]

Read More

The illuminating magic of It’s Dark Outside—A curatorial statement by Katharine Carol

January 20, 2018

It's Dark Outside

The opportunity to bring outstanding theatre to Vancouver is a privilege I have in my role at the Vancouver International Children’s Festival. As I explore the world for some of the finest artists who create […]

Read More

A force of nature: The Eternal Tides—A curatorial statement by Norman Armour

January 20, 2018

The Eternal Tides, a North American premiere, is one of the most ambitious undertakings in the PuSh Festival’s 14-year history—in scale, technical and touring challenges. 32 people on the road from Taipei to Ottawa, to Montreal, […]

Read More

Seeing the humanity in The Events—A curatorial statement by Richard Wolfe

January 18, 2018

The Events

When Anders Breivik murdered 68 young people and severely injured 56 others on the island of Utøya, Norway in 2011, he committed a strategic act of hatred intended to separate people. Ironically his actions brought a global […]

Read More